A rendezvous between two celestial bodies. When the sun’s reflections caress the moon, she turns red. When this exceptional moment comes, the whole night is set ablaze and tinged with a tawny glow. Léa Zeroil captured this magical atmosphere and transposed it into a series of objects and furniture in the colours of the Blood Moon.

To discover this unique collection, created for Maestria gallery, we enter a tent, like a sanctuary dedicated to the nocturnal luminary. We are then immersed in a panoramic setting dressed in undulations, rounded patterns and large flat areas of textures, as if burned by the brilliance of the red moon. A living room welcomes us within this mysterious atmosphere, as if we were camping under the stars, in the opulence of natural materials and exceptional know-how.

The room is illuminated by the hand-sewn vintage silk light sculptures made by Robin Costes. These two luminous totems bear the name Medjed, after the mysterious Egyptian deity appearing in the form of a ghost. Two luminous works that poetically describe the elusive trajectory of the sacred crescent on the horizon

Another metaphor for the lunar progression are candelabra, named Khonsu, after the god of the Moon in Egyptian mythology. The candles are supported by medallions of transparent or tinted glass, interpreting the Egyptian lunar disc. Through this new production, Léa Zeroil expresses the quintessence of her approach: attention to detail and harmony between form and function.

Samuel Landée

 
 

A rendezvous between two celestial bodies. When the sun’s reflections caress the moon, she turns red. When this exceptional moment comes, the whole night is set ablaze and tinged with a tawny glow. Léa Zeroil captured this magical atmosphere and transposed it into a series of objects and furniture in the colours of the Blood Moon.

To discover this unique collection, created for Maestria gallery, we enter a tent, like a sanctuary dedicated to the nocturnal luminary. We are then immersed in a panoramic setting dressed in undulations, rounded patterns and large flat areas of textures, as if burned by the brilliance of the red moon. A living room welcomes us within this mysterious atmosphere, as if we were camping under the stars, in the opulence of natural materials and exceptional know-how.

The room is illuminated by the hand-sewn vintage silk light sculptures made by Robin Costes. These two luminous totems bear the name Medjed, after the mysterious Egyptian deity appearing in the form of a ghost. Two luminous works that poetically describe the elusive trajectory of the sacred crescent on the horizon

Another metaphor for the lunar progression are candelabra, named Khonsu, after the god of the Moon in Egyptian mythology. The candles are supported by medallions of transparent or tinted glass, interpreting the Egyptian lunar disc. Through this new production, Léa Zeroil expresses the quintessence of her approach: attention to detail and harmony between form and function.

Samuel Landée